To me, while there was no obvious story line there was the usual navel-gazing andtwenty-something angst. It’s interesting, though, that the first episode prominently featured Dylan’s video blog as sort of a centerpiece of the social interaction.
For all of us who didn’t know, the webisode series debuted in November on MySpace. It got media attention because seasoned Hollywood producers were behind it. About the time it debuted on the Internet it was picked up by NBC for a broadcast series. The interplay between broadcast TV, Internet and the writers’ strike is interesting. The timing made the independent content attractive; how much pre-planning went into that I do not know.
The series had its own website, quarterlife.com. Here’s what it says about the series today. There’s lots of video, a community, and a dozen or so channels on which users can post UCG and discuss subjects ranging from art to love. The ones I looked at seemed to have active content.
With the debut of the TV series the show has a page on the NBC website where, among other things, you can watch full-length episodes.
The package has a clear target audience—young, creative professionals. It has interesting cross-promotion between web and television. What is says about the future of programming on both screens (until/unless they converge to become one) is less clear to me. It occurs to me that the Internet may prove to be a faster, lower-cost way to test story ideas. If television is first, will movies be far behind?
It’s an interesting new wrinkle in the already-chaotic new media world!
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